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Learning task 4: Film study - Gallipoli

Film Study - Gallipoli, Peter Weir

Students need to be informed of the events that took place at Gallipoli. Use the for teacher reference. The ideas and techniques will hopefully be discussed by the students during the groupwork carried out.

 Students then view the film, the teacher pausing at times to discuss what is happening. At the end of each viewing session, students should write a summary of the incidents that took place.

group_work (RTF 39KB) in mixed ability groups, students discuss the questions based on the film "Gallipoli" and develop a group poster of the information they come up with. A group report back is needed.

Notes on the visual and verbal features used in film are essential when studying the film. Notes on these should be provided to the students, particularly as they will need to use them to write the essay in the assessment section. A handy way to teach these skills is by using the video "Snail's Pace" by Grant Lahood and the accompanying written work for students. This can be found in the package "Take Five" which deals with short films in schools.

Learning task 3: Explore the language

Similes/metaphors

Teacher models the writing of an original myth to explain the creation of some natural phenomena. Explore the use of similes/metaphors to create images or word pictures to make text rich and interesting.

Similes

 We use similes in our writing to create images or word pictures that make it rich and interesting. In a simile we say that one thing is like something else and this is why similes usually start with like or as, as in these examples:

The sun is like a golden orange in the sky.

He wandered lonely as a cloud

 Exploring Language (p.54), A Handbook for Teachers, Ministry of Education 1996, Learning Media Wellington N.Z.

Metaphors

 A metaphor is a kind of word picture. If you say that something is something else, or speak of it as though it is something else, you are using a metaphor.

 Look at these examples.

Knowledge is a key that opens many doors.

She hit the ball so hard that it rocketed across the net.

 In the first sentence knowledge is a key. In the second sentence the ball is spoken of as though it is a rocket.

 Writers use metaphors to strengthen the meaning of what they are writing about. They are so common in our everyday speech that you probably use these word pictures all the time.

 For example

burning the candle at both ends - getting up early and going to bed late
playing second fiddle - taking a less important role and not being in the limelight
skating on thin ice - taking risks that might be dangerous

 Exploring Language (P 54,55), A Handbook for Teachers, Ministry of Education 1996, Learning Media Wellington N.Z.

Explanation

Students in groups of three create an explanation (oral or written form) for:

  • how a local land form was created eg. mountain, river, lake
  • why the kiwi lost its ability to fly.

Application of understandings gained through previous guided reading and writing experiences. These are shared with the rest of the class.

Comparison of myths/legends across different cultural settings
eg. travel - air, sea.
 * How did Maui travel ?
 * What resources were available to him ?
 * How did Icarus travel ?
 * What resources were available to him ?
Students tape stories - retelling a favourite myth - develop awareness of structures.

Illustrated wall stories (based on the reading to, with and by approaches) - plot sequences, purpose, audience.

Read a selection of Aboriginal myths/legends (Dreamtime):

The Aboriginal myths about the creation of the world have been an important part of Aboriginal culture for thousands of years. These stories come from a time long, long ago (well before the dawn of time) called the Dreamtime.

One of these is the story of Wanmirri who, with his three brothers, learned how to light the sky at night so no-one need be afraid of the dark. These four young men of the tribe threw their boomerangs into the campfire where they caught alight. Then they hurled their blazing weapons into the sky where they and their four owners have been lighting the night sky ever since. This is how stars were put in the sky. 

Learning task 2: Cry Baby Moon

Read the myth 'Cry Baby Moon' to the class - (by Katarina Mataira and Tere Wai Kemp). Discuss and examine purposes of myths.

Read another 'Moon' myth. Identify similarities/differences. Group activity, retell a 'moon' myth - role play, finger puppets.

Introduce other myths through shared, guided, independent reading.

Discuss:

  • creation myths
  • myths that explain natural phenomena
  • legends about heroes/heroines.

Collect and read myths/legends from a particular country.

Read Greek/Maori myths/legends, build up a chart of the gods/goddesses included in the stories and add the characteristics of each.

Teacher the retelling of a familiar myth.

Website links

The Encyclopedia Mythica
A searchable encyclopedia containing over 4200 articles about gods/goddesses, heroes, supernatural beings and legendary creatures and monsters from all over the world (Aztec, Celtic, Chinese, Egyptian, Etruscan, Greek, Haitian, Hindu, Japanese, Latvian, Mayan, Native American, Norse, Persian, Polynesian and Roman).

Animal Legends
24 stories about animals, such as "How the Kangaroo Got His Tail".

Folk and Fairy Tales: Website Links

Aboriginal legends

Legends

Native American myths and legends

Native American Traditional Storytelling

Greek myths

Greek Mythology
Information about Gods/Goddesses, Heroes/Heroines, Lovers and Creatures.

Legend of the Minotaur

Daedalus and Icarus

Learning task 1

Activate prior knowledge

  1. Ask the students to think about how their culture may be different from that of the New Zealand way of life. They could complete a same / different list individually or in nationality groups on aspects such as food, houses, family life, values, traditions, manners.
  2. Provide some background information about the traditional Māori way of life, the arrival of the Europeans and the Treaty of Waitangi. See New Zealand History Online.
  3. Question them about the kinds of problems and issues they face trying to fit into a different culture. The teacher could make a spider diagram that illustrates these issues on the board.
  4. Find out what the students already know about issues that affect Māori by having them complete the Yes-No-Partly Activity (Word 44KB) .
  5. Have the students read the text The Story of the Maori (Word 29KB) to confirm their answers to the previous activity. Further questions or discussion may occur while reading this text.
  6. Look at the Read NZ Te Pou Muramura website and discuss the backgrounds of the two authors - Patricia Grace and Witi Ihimaera. Ask the students to find out where the authors are from, what they like to write about and what has influenced their topics for writing.

Close reading of two short stories

In this unit, students read two short stories - Journey by Patricia Grace and Big Brother, Little Sister by Witi Ihimaera.

  1. Before reading each story, get the students to make predictions about each story from the titles and the first paragraphs, for example: What do you think the story will be about? Where do you think the story takes place? Who do you think the main people in the story will be?
  2. Pre teach some MaoriVocabulary (Word 34KB) that is in the short stories. Teach some strategies for students to use to understand the meanings of unfamiliar vocabulary or idioms from the stories.
  3. Read each of the stories aloud to the students. Take the time to pause often to check for understanding and to make predictions about the next part of each story.
  4. It will probably take at least two to three lessons to read each story. After having listened to a new part of the story in each lesson, students could either create a story map (pictures drawn of the main ideas or events in each story) or a written summary of the main ideas or events. This could be done in groups or as individuals for homework. You may want to read the stories again for the students to confirm their story maps/summaries and to consolidate understanding of the plots of both stories.
  5. After having read both stories, use a running dictation or a dictogloss activity with the JourneyPlotSummary (Word 25KB) and the 'Big Brother, Little Sister' - plot summary (Word 50KB) to help the students to become familiar with what happens in each story.
  6. Get the students to write a personal response to each story (supported with details from each text). Before writing the response help the students become familiar with response starters by doing some AuralPractice (Word 34KB) with responses to texts of the language needed.
  7. Help the students to become familiar with the Terms (Word 37KB) (plot, theme, character, style and so on) by cutting up the names of the terms and matching them with the explanations. This will help to prepare them for the next parts of the unit.

Story type

  1. Both short stories are "slice of life" type stories in which the stories are taken from the lives of ordinary people but which centre on an interesting experience or event. Tell the students to think about the stories that they have read and find evidence for both stories being slice of life types. Both stories both make a comment on difficulties that Māori face in the modern day. Ask the students to think about the difficulties that are faced in both stories. (This will help to prepare the students for work on 'theme' later on in the unit).

Viewpoint

  1. Refer to the Building a Vocabulary and Grammar 'toolbox' (Word 39KB) for expressions used when talking about viewpoint.
  2. Journey is narrated in the third person with the old man as the main character of the story. We see everything from the old man's point of view. Big Brother, Little Sister uses an "eye of god" or external narrative, however it does focus more on Hema and his sister Janey than the other characters.
  3. Ask the students the following questions about each story.
    • From whose point of view do we follow the events of the story? Find evidence from the stories to support your answer.
    • Why do you think the authors chose to use these particular viewpoints? What effect do they have on you as readers? Try reading 'Journey' and 'Big Brother, Little Sister' in the first person narrative. Try reading parts of Journey with an external narrative. Discuss how this changes the way we perceive the characters or events

Library resources

This page contains a number of resources suitable for librarians (and teachers) under the following headings.

Libraries |  Library resources |  Reference resources |  Book-related sites

Libraries

Library resources

  • Any Questions
    Online librarians help students, in real time, find and use quality internet sources for their homework, while building their search and information skills.
  • Create Readers
    This New Zealand blog reviews and promote children's and YA literature (especially New Zealand), events, literacy research, and ways to get, and keep, kids reading.
  • EPIC
    Provides access to an extensive range of quality databases holding millions of electronic resources (covering all aspects of the curriculum from literature to science to Encyclopedia Britannica Online). EPIC is available for use by teachers and students from all parts of New Zealand.
  • PapersPast
    Papers Past contains more than one million pages of digitised New Zealand newspapers and periodicals from 1839 to 1920. It includes publications from all regions of New Zealand.
  • The Researching Librarian
    Web resources for librarians doing research. Although American in focus, NZ librarians will still find it useful.
  • Joyce Valenza’s Neverending Search
    A blog for librarians and other educators that focuses on emerging technologies, searching, and information fluency.
  • School Library Association of New Zealand (SLANZA)
    The School Library Association of New Zealand Aotearoa (SLANZA) supports teaching and learning by providing a national voice for school libraries throughout New Zealand and representing all school library staff.

Reference resources

  • Acronym Finder
    Contains over 60,000 acronyms. Results can be sorted alphabetically and by category filters. Also provides an extensive definition of a word and a link through to The Free dictionary.
  • New Zealand Electronic Text Centre
    The New Zealand Electronic Text Centre is a free online archive of New Zealand and Pacific Islands texts and heritage materials, offering an ever expanding, fully searchable, set of images and full-text books, manuscripts and journals.
  • NZ History Online
    The site features information and resources from within the History Group of the Ministry for Culture and Heritage, Wellington, New Zealand. Three broad categories showcase themes in New Zealand history: Culture and society, Politics and government and War and society.
  • Te Ara
    Te Ara is a comprehensive, free multimedia online Encyclopedia of New Zealand produced by the Ministry of Culture and Heritage. When complete, it will be a comprehensive guide to the country’s peoples, natural environment, history, culture, economy, institutions and society.
  • Your Dictionary.com
    A comprehensive online dictionary that includes: definition, idioms, synonyms, usage examples, and quotes.
  • Wikipedia
    Wikipedia is a popular collaboratively edited web site encyclopedia. Articles provide links to guide the user to related pages with additional information. While an excellent place to begin research, the quality and accuracy of information may vary from article to article.

Book-related sites

  • 100 Picture Books Everyone Should Know
    Annotated list (with book covers) of 100 popular picture books from the New York Public Library.
  • Google Books
    Lets you read, rate, review or preview historical and contemporary books that have been digitised by Google.
  • International Children's Digital Library
    Presents an online collection books that represents outstanding historical and contemporary picture books from throughout the world.
  • LibraryThing
    Developed for book lovers. LibraryThing lets you catalog your books online, connect with people who have similar reading tastes, and rate and review books.
  • Read NZ Te Pou Muramura
    Helps grow generations of readers by advocating for reading in Aotearoa New Zealand and delivering programmes that incentivise reading and writing in schools and communities.
  • Sofa Adventures: Reading Suggestions for Kids, Tweens, and Teens –a list of book choices for kids of all ages.
  • Stone Soup
    The only magazine made up entirely of the creative work of children. Young people ages 8 to 13 around the world have contributed stories, poems, book reviews, and artwork to Stone Soup since 1973.
  • Storylines
    Promotes and provides information on children’s literature in New Zealand including awards, news, Storylines Festival and the International Children’s Book day.

Persuasion

persuasion

Purpose

To support ideas presented in sequence to justify a particular stand or viewpoint that a writer is taking.

The writer's purpose is to take a position on some issue and justify it. Persuasive writing is intended to present a point of view on an issue being debated, or to market a particular product, process or line of thought. The author sets out to state their view in a way that will influence others. 

Knowing the intended audience is important in selecting both the language and the ideas that will sway the reader.  For example, if seeking to persuade a local government member the language would be quite formal, but if hoping to sell cakes at a school gala, the language needs to be much more emotive and invitational.  In teaching persuasive writing it is important to include this defining of the audience and appropriate choice of language.

Features

An argument usually consists of the following:

  • a statement of position at the beginning
  • a logical sequence
  • the argument is put forward in a series of points with back up evidence
  • a good argument shows cause and effect. This is the connection between an action and what leads to it, eg. The fish died as a result of pollution in the water: Violence in movies contributes to violence in society
  • a summing up or restating of position at the end

In addition to the writing, consideration should also be given to the inclusion of graphics and data that will support the idea or product to be promoted. Sound and video can also be added to support the written proposal, advertisement or argument.  In meeting the needs of the today's learners, it is important to factor this into the persuasive writing process, so that student are aware of the impact that adding these forms of media will have on selling their product or point of view.  

Debates
Debates, which are conducted orally, are a form of argument in which two opposing points of view are stated and both sides are argued. Supporting evidence for each side is put forward and finally an opinion is stated based on the two arguments.

Types of arguments

  • To plead a case - letters to the school principal / local council with regard to current issues.
  • To promote/sell goods and services - advertisement writing to promote the school concert/sports.
  • To put forward an argument - School uniforms should not be compulsory.

Language Features

  • The argument is written in the timeless present tense. This might change to the past if historical background to the issue was being given. If predictions are being made the tense might change to the future.
  • The writer uses repetition of words, phrases and concepts deliberately, for effect.
  • Verbs are used when expressing opinions, eg. I think ___ are the best! We believe students should not be stopped from eating junk food.
  • Strong effective adjectives are used.
  • Thought provoking questions are used. These may be asked as rhetorical questions. (Rhetorical questions: a question asked only for effect, not for information, eg. Would you give your pre-schooler matches to play with?)
  • Use of passive verbs to help structure the text.
  • Written in the timeless present tense.
  • Use of pronouns (I, we, us) is used to manipulate the reader to agree with the position argued. eg. We all know that smoking causes cancer so we do not smoke.
  • Use of emotive language ie. words that will appeal to the reader's feelings, eg. concern, unreasonable, should.
  • Use of passive voice ie verbs in which the subject is acted upon and not doing the action. This helps structure the text, eg. We would like to suggest that an enquiry be held into the running of the steel mills. Water is being polluted.
  • Conjunctions that can exemplify and show results - they are usually used in concluding statements to finalise arguments

Planning Guide

Persuasive poplet.

 e-Learning tools to support persuasive writing

Brainstorming tools to develop the arguments/persuasive statements (free)

Poster/Website tools to capture the power of images

Graphing tools for making your own graphs




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